Photographer and visual AI specialist. I make fashion and product campaigns with a camera and with AI, and hold both to one standard.
On the poster: MARESIA, an AI campaign for a resort linen label, 2026. See the work
Six folders, from an AI campaign to street walls, brand launches and film sets.
A resort linen label I made up to answer one question: can an AI campaign hold up to a photographer’s eye? Ten deliverables, two model identities kept consistent, one outfit carried from on-model to flat lay, fabric macro and two motion pieces. Built with Nano Banana Pro, Flux 2 Pro and Kling, finished in Photoshop.
The full case on Behance
I photograph and film street-level ad installations for Alchemy Media, an out-of-home agency in Los Angeles and New York: billboards, wild postings, barricades and murals for Prada, Celine, Gucci, Ray-Ban, Hugo Boss and Vans, and entertainment walls for Hulu, Prime Video and Illumination.
alchemymedia.net
Royal Enfield chose three photographers for its official brand launch in Brazil. I shot the Continental GT at night in downtown São Paulo, lit against the old stone facades.
Royal Enfield on Behance
Launch campaigns and editorials for Brazilian apparel brands. Alekta sportswear on Avenida Paulista at night, the Mith CrossFit and tennis lines in the gym, and a fall and winter streetwear collection for Your Wish.
Alekta on Behance
Camera and stills for André Pilli’s race between a Jaguar F-Type and a helicopter at the Goodyear test track. Still photographer on the sci-fi short They Come From The Sky, making-of for Uprooted (My RØDE Reel 2020) and set photography for Tempo, an AFI Conservatory short on 35mm.
Watch the race
Away from client work I draw. Illustration, pixel art and photo series that start where the camera work does: light, colour and a frame that holds. O Silêncio Canta and Pixel Echo are the latest.
O Silêncio Canta on BehanceTwo films made from stills: a slow lateral move across the product, and a walk that keeps the model’s face the same from the first frame to the last.
Four of these were shot on a camera. Four were generated and finished by me. Pick one on each tag.
I picked up a camera in São Paulo in 2009 and shot what came: nightlife, artists, then fashion and advertising. In 2017 I moved to Los Angeles and kept going. I started a production company, directed two music videos and spent years on film sets behind the scenes.
Since 2021 I have photographed advertising where it actually lives, on the street, for Alchemy Media. Standing in front of a Prada barricade or a Celine wall, you learn fast what makes a campaign read from across the street.
Now I make the campaign too. I use AI image and video tools the way I use a camera: test, compare, light, retouch, and reject what a photographer wouldn’t sign. MARESIA is the first full case.
I am looking for teams that make fashion and product imagery with AI and want someone who knows what a real photograph looks like.
Tell me what you are making. Sending opens an email to me with your answers filled in.